Episode 150. Private Lives: Paranormal Activity (2007)

Behind the door of a seemingly normal American home lies something evil. Something that’s been waiting. No, it’s not a demon – it’s a heteronormative relationship with a total douchebag! 
Join Alex and Andrea for a dive into the murky waters of demonology, tech bros, and home security with Oren Peli’s feature film debut. 
 
 

REQUIRED READING

Paranormal Activity. Dir. Oren Peli, 2007. 

 

EXTRA CREDIT


With Paranormal Activity, Paramount Sets New Marketing Model. An overview of the grassroots marketing campaign.

Surveillance Tech is Changing Our Behaviour and Our Brains. How our rapidly evolving technology is taking over our domestic and public spaces. 

I Love My Husband (Who Hates Me). The Cut’s piece on the socially acceptable misogyny in heteronormative relationships. 
 
“Understanding Home Video” from Home Truths? Video Production and Domestic Life: Tracing the home video industry from America’s Funniest Home Videos to FailArmy.
 
The right-wing roots of Silicon Valley: traces the roots of the techbro boom in the ’90s to the “free thinkers” of the modern manosphere.
 
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Episode 149. Bloodlust: The Last House on the Left (1972)

Wes Craven’s first feature continues to draw audiences and critics to it. By examining the production, reception, and impact of The Last House on the Left, Andrea and Alex will investigate the legacy of the rape-revenge subgenre and our evolving understanding of it. 

*Apologies for the poor audio on this one, guys! We’ll catch that gremlin one day and we’ll skin him alive!

 

REQUIRED READING

The Last House on the Left. Dir. Wes Craven, 1972. 

 

EXTRA CREDIT

A Promising Young Woman and the End of the Girlboss Era. Ayesha A. Siddiqi’s in-depth analysis of the Emerald Fennell’s first feature. 

Screams and Nightmares: The Films of Wes Craven. A thorough look at Craven’s oeuvre with insights and anecdotes from the man himself. 

Celluloid Crime of the Century – the full 2003 doc is on YouTube, featuring interviews with Craven, Cunningham, and select castmembers.
 
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Episode 148. In Heaven: Eraserhead (1977)

This month, we’ve summoned friend of the show (and verified Lynch stan) Stacie Ponder to join us as we wander aimlessly into the surrealist nightmare of David Lynch’s mind. Through an exploration of his first film Eraserhead, we’ll investigate one of cinema’s most enigmatic creatives and his myths of America. 

Check out Stacie’s podcast: Final Girl After Dark

 

REQUIRED READING

Eraserhead. Dir. David Lynch, 1977. 

 

EXTRA CREDIT

Who Made That Built-In Eraser? An overview of an American partnership.
 
The Theatre of the Absurd Martin Esslin’s critical essay that defined an undefinable movement. 

Premonition Following an Evil Deed (1995) on YouTube. A very unsettling 56-second film!

 
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Episode 147. The Fackening: 2025 Year in Review

Another year of mad fackery has come to end, so Andrea and Alex take a last look at 2025 to review our horror (and non-horror) faves of the year. 

 
Alex’s picks:
Weapons
Bring Her Back
The Ugly Stepsister
Final Destination Bloodlines
Companion
Good Boy
The Occupant of the Room
Mangittatuarjuk: The Gnawer of Rocks
 
Andrea’s picks:
Bring Her Back
Weapons
Final Destination Bloodlines
Heart Eyes
The Ugly Stepsister
Dangerous Animals
Him
 

LISTEN

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