Episode 97. No Future: Jack the Ripper in The Lodger (1927) and From Hell (2001)

The fog of Victorian London settles on Alex and Andrea as they dive into “Ripperology”: the facts, fiction and shadow cast by Jack the Ripper over our culture. By examining how the figure is depicted in Alfred Hitchcock’s The Lodger and The Hughes Brothers’ From Hell, we can begin to untangle the history of more than one problematic man involved in creating their own mythology.

 

REQUIRED READING

The Lodger: A Story of London Fog. Dir. Alfred Hitchcock, 1927.
From Hell. Dir. The Hughes Brothers, 2001.

EXTRA CREDIT

The Lodger. Marie Belloc Lowndes’ novella.
 
From Hell. Alan Moore and Eddie Campbell’s iconic graphic novel.
 
London: A Biography. Peter Ackroyd’s seminal book on a sprawling city with an even bigger history.
 
The “Lodger Evil” and the Transformation of Progressive Housing Reform, 1890–1930. An in-depth look at the lodging house boom of the turn of the century.
 
Rule, Britannia!: The Biopic and British National Identity. An examination of how popular British figures have shaped the country’s film output.
 
“Murder for a Penny: Jack the Ripper and the Structural Impact of Sensational Reporting” by A. Luxx Mishou – the history of sensational reporting and its role in Jack’s reign of terror.
 
“Jack the Ripper, the dialectic of enlightenment and the search for spiritual deliverance in White Chappell” by Alex Murray – how Jack contributed to Horkheimer and Adorno’s dialectic of enlightenment.

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Episode 96. Missing Links: Trollhunter (2010) and Willow Creek (2013)

If you go down in the woods today
You’re sure of a big surprise

Andrea and Alex leave the comforts of modernity and go back to nature to discover what humanity has left behind through our obsessions with cryptids and conspiracy theories. From our fascination with humanity’s evolution to our need to colonize, we have a lot of explaining to do.

 

REQUIRED READING

Trollhunter. Dir. André Øvredal, 2010.
Willow Creek. Dir.  Bobcat Goldthwait, 2013.

EXTRA CREDIT

Grizzly Man. Dir  Werner Herzog, 2005.
 
The Unidentified: Mythical Monsters, Alien Encounters and Our Obsession with the Unexplained. Colin Dickey’s in-depth examination of the myths that keep us up at night.
 
CBC Ideas Podcast: Conspiracy Theories. A fascinating look at the rise of fringe theories invading the mainstream.
 
“Survivorman Bigfoot” takes on the provincial government of British Columbia.
 
“Cryptozoology in the Medieval and Modern Worlds” by Peter Dendle. Bigfoot myths not only bridge the gap between humanity and beasts but science and faith.
 
ERRATA: Andrea referred to American primatologist Dian Fossey as having been murdered by the gorillas she was studying – she was actually murdered via machete, a crime which remains unsolved.

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Episode 95. Faith and Chance: Possession (1981)

In this episode, we delve into the murky waters of intimate relationships, nuclear families, and revolutionary theatre practices with Andrej Zulawski’s Possession. From the film’s almost instant cult-status to its rocky release, we look at what has made Possession one of the great filmic break-ups and breakthroughs of the late 20th century.
 
 

REQUIRED READING

Possession. Dir Andrej Zulawski, 1981.

EXTRA CREDIT

House of Psychotic Women. Kier-La Janisse’s examination from horror from her perspective. A ground-breaking and personal look at the genre.
 
Once Upon a Text: Hysteria from Hippocrates. Helen King’s chapter on the patriarchal uses of the term “hysteria.”
 
Five of the best… Sarah Kane Plays. The National Theatre’s overview of Kane’s writing with links, if you’d like to learn more about her.
 
Possession: A Marriage of the Natural and Supernatural. David West’s look at the film and Anna’s cryptic monologue.
 
The Coronavirus Crisis Shows It’s Time to Abolish the Family – an article on why emancipation from capitalism might mean the abolition of one of our most sacred institutions.
 

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Fack Flash! Mortal Kombat (2021) – PREVIEW

CHOOSE YOUR DESTINY! Andrea and Alex got unreasonably excited about the new Mortal Kombat movie, so we recorded our pre-and post-movie impressions in an all-new Fack Flash.

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